I make a point of seeing shows by Kim Dorland whenever I'm in Vancouver and have yet to be disappointed. I don't know if it's his colour sensibility or his emphasis on the stuff of paint, but I always come away invigorated to get back to the studio. What I think what also is the strongest for me in his work is when the layers of paint interact with each other. Thin and drippy and thick and slow, I could look at these images for hours.
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