You may remember that I am also working on a series of more conventional oil paintings on canvas that uses striped forms as subject matter. As this series evolved (and taking cues from my other body of work ie. marks on cellophane) the paintings are becoming more and more reduced. I'm excited about this development, and especially this latest painting above because it allows me the possibility to use texture, facture, and surface quality as a compositional strategy. Below is a short animation of the development of my last painting.
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