Several of the people I've had to my studio for visits have all suggested that I take another look at the grid paintings by Mondrian. I've been kind of put off by Mondrian for a couple of reasons: the rigidity, desire for purity and essentialism, autonomy of the picture, and the chauvinistic/sexist discourse around the work. I've also been blaze about his work cuz it seem tight, constrained, confined to the square. But each one of my visitors (profs, art historians, art theorist, and a curator) have all said, "Take another look. Don't worry about what history has done to it. Look at the surface. Look at it again."
And so I did. (below is the piece at the National Gallery of Canada)
Piet Mondrian, Composition No. 12 with Blue (1936-1942)